Ariel Dizon Barish

P u n c t u m .

My portfolio from my time at UCSC, exhibited at the Eduardo Carillo’s gallery (May, 2024).

  • P u n c t u m . , Eduardo Cabrillo Galary Exhibition, May 2024., ©Ariel Dizon Barish
  • Picture peering into Ariel Dizon Barish's P u n c t u m . Exhibitation at the Eduardo Carrillo Gallery, UCSC.
    Punctum, Senior Exhibition, Eduardo Carrillo Gallery, ©Ariel Dizon Barish
  • Woodblock print with the words "Long Live Car (evil) Dependency" with a VW bug and metro station in the background.
    Long Live Car Dependency, 12 x 16″, woodcut (2024), ©Ariel Dizon Barish
  • Woodblock print of a old man in an old fashioned TV repair shop in Korea.
    Television Man, woodcut (2023), ©Ariel Dizon Barish
  • Woodblock print depicting three generations of a family and their shared love of art.
    One Fine Day, 18 x 24″, woodcut reduction (2024), ©Ariel Dizon Barish
  • Woodblock print depicting three generations of a family and their shared love of art.
    One Fine Day, 18 x 24″, woodcut reduction (2024), ©Ariel Dizon Barish
  • Woodblock print depicting three generations of a family and their shared love of art.
    One Fine Day, 18 x 24″, woodcut reduction (2024), ©Ariel Dizon Barish
  • Painting of a young women in a night gown with a blank expression.
    Revelation, 16 x 20″, oil paint on canvas, 2023, ©Ariel Dizon Barish
  • Painting of hanging opened up goat with the face of a person in a field with a goat and barn in the background.
    Scapegoat (15), 30 x 24″, oil paint on canvas (2023), ©Ariel Dizon Barish
  • Painting of five version of the same young women with different expressions situated around a dining room table with a another head on a serving plate in the center.
    5 Layers of Saran Wrap, 30 x 40″, oil paint on canvas (2023), ©Ariel Dizon Barish
  • Painting of a young women on a bed with coke cans and a priority mail box and another empty box in the foreground.
    A Woman’s Value, 2 x 3′, oil paint on canvas (2024), ©Ariel Dizon Barish
  • Painting of a young woman in a closet.
    Latent, 16 x 20″, oil paint on canvas (2023), ©Ariel Dizon Barish
  • Painting showing a young woman, with images of her mother, and great grandmother in a mirror.
    Hardwired to Mourn, 24 x 30″, oil paint on canvas (2024), ©Ariel Dizon Barish
  • Painting of a young women with tears in her eyes.
    Absence/Substitute, 16 x 20″, oil paint on canvas (2023), ©Ariel Dizon Barish
  • Painting of a girl in a white dressy outfit with other girls with the same outfit.
    Reliquary, 16 x 20″, oil paint on canvas (2024), ©Ariel Dizon Barish
  • Photo based print of a young women standing at a room entrance next to a door.
    Watering Dead Plants, photo based and digital chine collé (2023), ©Ariel Dizon Barish
  • Painting of a young mean in front of a statute of an angel at the Green-Wood Cemetery in Brooklyn, NY.
    Surrounded by Ghosts, 16 x 20″, oil paint on canvas (2023), ©Ariel Dizon Barish
  • Woodbloock print depicting a bird, eggs, chick and a hand emerging from a opened egg.
    Natures Changeling, woodcut reduction (2023), ©Ariel Dizon Barish
  • Woodblock print of a girl in Hawaii.
    Manoa Valley Stallion, 12 x 16″, woodcut reduction (2024), ©Ariel Dizon Barish
  • Woodblock print of statues and a pond at the Green-Wood Cemetery in Brooklyn, New York.
    Memory Fermentation (2023), ©Ariel Dizon Barish
  • Painting of trail in Santa Cruz, CA
    Trail, acrylic on wood panel (2023), ©Ariel Dizon Barish
  • Painting of inside of greenhouse at the New York Botanical Garden in the Bronx, NY.
    New York Botanical Garden, the Bronx, acrylic on wood panel (2024), ©Ariel Dizon Barish
  • Painting of angel statue at the Greenwood Cemetery in Brooklyn, New York.
    Greenwood Angel, acrylic on canvas (2023), ©Ariel Dizon Barish
  • Painting of camper truck at an old Mill in Korea
    The Old Mill Korea Summer ’22, acrylic on wood panel (2024), ©Ariel Dizon Barish
  • Ariel Barish's woodblock print "Reminiscent"
    Reminiscent, woodcut, 11.5 x 15.5″ (2022), © Ariel Dizon Barish
  • Woodblock print of a girl in Korea on Leaf Paper.
    Ephemeral/Eternal (Leaf Paper), woodcut reduction (2022), ©Ariel Dizon Barish
  • Woodblock print of young woman daydreaming at dawn.
    Yesterday Daydream (Dawn), 18 x 24″, woodcut reduction (2023), ©Ariel Dizon Barish
  • Woodblock print of young woman daydreaming during the day.
    Yesterday Daydream (Daylight), 18 x 24″, woodcut reduction (2023), ©Ariel Dizon Barish
  • Woodblock print of young woman daydreaming during at night.
    Yesterday Daydream (Nightfall), 18 x 24″, woodcut reduction (2023), ©Ariel Dizon Barish